Henri Matisse paintings 1950-1953

In 1951 Matisse finished a four-year project of designing the interior, the glass windows, and the decorations of the Chapelle du Rosaire de Vence, often referred to as the Matisse Chapel. This project was the result of the close friendship between Matisse and Bourgeois, now Sister Jacques-Marie, despite him being an atheist. They had met again in Vence and started the collaboration, a story related in her 1992 book Henri Matisse: La Chapelle de Vence and in the 2003 documentary "A Model for Matisse".

The Creole Dancer 1950 The Maritime Wildlife 1950 Zulma 1950 Japanese Mask 1950 Nude with Oranges 1951
The Creole Dancer
1950
The Maritime
Wildlife
1950
Zulma
1950
Japanese Mask
1950
Nude with
Oranges
1951
Tree of Life' Stained Glass behind the Altar in the Chapel of the Rosary at Vence 1951 Avenue of Olive Trees 1952 Bather in the Reeds 1952 Blue Nude 1952 The Flowing Hair 1952
Tree of Life'
Stained Glass behind
the Altar in the
Chapel of the Rosary
at Vence
1951
Avenue of
Olive Trees
1952
Bather in
the Reeds
1952
Blue Nude
1952
The Flowing Hair
1952
Blue Nude 1952 Blue Nude 1952 Blue Nude 1952 Untitled
Blue Nude
1952
Blue Nude
1952
Blue Nude
1952
Blue Nude
1952
Untitled
Vegetables 1952 La Perruche et la Sirene 1952 The King's Sadness 1952 The Snail 1953 La gerbe 1953
Vegetables
1952
La Perruche
et la Sirene
1952
The King's Sadness
1952
The Snail
1953
La gerbe
1953
Memory of Oceania 1953 A Woman Sitting before the Window Cut Outs Figure at the Rideau Releve Gypsy
Memory of
Oceania
1953
A Woman Sitting
before the Window
1905
Cut Outs
1952
Figure at the
Rideau Releve
1924
Gypsy
1906
Head white and pink Still Life with Statuette Still Life Still Life with Vase, Bottle and Fruit Red dress
Head white
and pink
1914
Still Life
with Statuette
1906
Still Life
1917
Still Life
with Vase,
Bottle and Fruit
1906
Red dress
Italian Braided Straw Hat, Vase of Flowers Still Life Still Life
Italian Braided Straw
Hat, Vase of Flowers
1923
Still Life
with Aubergines
1911
Still LIfe
with Lemons Which
Correspond in Form
to a Drawing of a
Black Vase on the
Wall
1915